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Saxophone
Embouchure Tutorial by Saxophonist Amonn AL-mahrouq
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Aim
- To form a reliable and steady
embouchure which suits you.
- To develop freedom of blowing
coupled with a great sound.
Exercise
1
- Place your top teeth firmly on the
mouthpiece about 2 inches in from the tip, where they should remain
throughout.
- Bring your bottom lip up to the
reed.
- Your bottom lip controls the pitch
of the note.
- Never apply excessive pressure to
the reed allow it to reverberate.
- The only pressure should come from
your top teeth, pushing downwards on the mouthpiece.
- Place your tongue against the reed
about 2 inches in from the tip of your mouthpiece.
- Tip of your tongue on the tip of
your mouthpiece.
- After you have inhaled, remove your
tongue from the reed using the T syllable, allow your breath into your
Saxophone in a continuous steady stream.
- When breathing drop your bottom jaw
to facilitate this.
- Never allow your cheeks to puff
out. Your breath stream and pressure should remain constant at all
times. The shape of your embouchure is a O shape.
- Try to keep everything as natural
as possible.
- You must first hear the sound in
your head before you begin to play.
- You should aim for the same quality
of sound throughout the entire range of your saxophone.
- There are two basic formations of
embouchure, within them there are countless variations from one player
to the next.
Normal lip method
Lower lip is left in its normal
position, so that a cushion for the reed and your teeth is formed by
the top part of your lip. Your lip is not curled over your teeth. This
is achieved by pronouncing the letter "F"
Closed lip method
Turn your lower lip slightly in, over
your teeth so that part of your outside lip forms a cushion for the
reed and your lower teeth, so that they are in more positive contact
with the inside of your lip. This is produced by pronouncing the letter
"V".
Helpful Hints
- Try to keep your embouchure as
still as possible throughout the entire range of the Saxophone.
- Try to keep your throat as open and
relaxed as possible.
- Always support your sound (from the
bottom of your feet) remembering you need twice as must air to play
softly (quietly) as you so when you play louder.
- Aim for the same tonal
characteristics throughout the entire register of the Saxophone.
- Never place excessive pressure on
your reed, allow it to reverberate you need only enough pressure to
control it.
- You should try both the above
methods to find the one that suitsyou best.
ABOVE ALL EVERYTHING SHOULD BE
NATURAL. DO NOT PUFF YOUR CHEEKS OUT!!
- Use your face muscles to control
your embouchure.
- DO
NOT MOVE YOUR JAW to take air in, lower
ONLY your bottom jaw.
- DO NOT have
tension in your throat, say AH. Always practice in front of a mirror if
you can. Imagine saying the syllable D, U and PUI as you put your
mouthpiece into your mouth, By saying the letter D you will notice your
chin flatten. The syllable U will focus the corners of your mouth and
PUI will centre your lip.
- You need to remove the pressure
from the reed but still maintain control.
- Try to get as many different
dynamics as possible. It is very important that your tongue should
always stay at the back of your throat.
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